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Why?

“Dan talks about composition in his self-portraits and how he also pulls in a lot of historical examples of photography. He talks about other people's work, why it's important, and how it influenced him. I was attracted at first because of the technical ability of it all. It's just like Martin Schoeller or Albert Watson or Richard Avedon. I got sucked in because of trying to understand the technical aspect of it—and then you sidestep the technicalities of it and you see the beauty of it. I think the palette that Dan is obviously known for is a palette that he kind of works in and created for himself.”
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- Robert Clark, Photographer